Her desires were simple: to have a relationship, adopt a child, do something meaningful with her life. So why did things between Johnson & Johnson heiress Libet Johnson and her weight-loss-guru boyfriend get so complicated?

Before he was the Bourne director, Doug Liman was the son of a New York legend, the lawyer Arthur Liman, who managed to do good while getting rich. No wonder Liman has sellout issues.

Eighty-three-year-old Anthony Marshall spends his days trying to convince the courts—and himself—that his mother loved him and felt guilty enough about her failings as a parent to transfer a huge amount of money to him before she died. The courts, at least, don’t seem to buy it.

Is Eliot Spitzer changing Albany? Or is Albany changing him?

The psychopathology of the modern American corporate leader.

It seemed a good match: on one side, old-fashioned oligarchs looking to modernize Wal-Mart’s image; on the other, the big-city types who could make a fortune doing it. By the time it was over, a Madison Avenue heavy had been summoned to Arkansas to answer questions about his splashy lifestyle, and nobody was happy except the lawyers.

To be a mobster in New York is to be a celebrity. Mafiosi are the psychopaths with a fan base. And vile as their actions have sometimes been, it has to be said that as dramatis personae, they’ve rarely disappointed. This past season has been especially fine, with a cast and plot turns that Sopranos creator David Chase must have envied.

Eliot Spitzer may have a large say in Alan Hevesi’s political future, but the state comptroller has a more formidable tormentor: himself.

Philadelphia restaurateur Stephen Starr invaded New York by spending $26 million on Morimoto and Buddakan. Now he’s been named Zagat’s Restaurateur of the Year. Steve Fishman talked to him about megadining, celebrity chefs, and where to find the best cheesesteak.

The former police commissioner puts his cameo in the Pirro campaign 6,000 miles behind him.