The Terminator franchise lands on television with atavistic androids and a sizzling Sarah Connor.

The Wire draws to a close, but not before zeroing in on one more failed institution.

Angie Harmon renewed our faith in the cop show, Eddie Izzard and Minnie Driver blew up the class divide, Queen Latifah doled out condoms, and Michael Keaton self-imploded.

Kyra Sedgwick lies her way through The Closer, and an entirely campy Tin Man reimagines The Wizard of Oz.

A four-part finale cracks the riddle of Saving Grace’s engrossing, self-destructive lead.

John Leonard reviews Amandla! A Revolution in Four-Part Harmony, Secret of Photo 51, Bird by Bird With Annie: A Portrait of Anne Lamott, Muddy Waters: Can't Be Satisfied, A New History of the World, and Eloise at the Plaza.

Despite a new dose of realism, TV doctors are still too good to be true.

As Law & Order founders, SVU still thrives, thanks to sex, sadism, and two very screwed-up cops.

Among returning dramas, The Sopranos hogs the attention. But though it started out great, it never got better.

Why executive producer David E. Kelley should be so hard on marriage is a mystery to me. After all, isn’t he married to Michelle Pfeiffer?