Yale photo guru Tod Papageorge has taught his share of art stars. Is it his turn now?

The Brooklyn Museum’s new feminist-art center shows us that sisterhood can be both powerful and clichéd.

Jeff Wall is the most exciting kind of contemporary artist—one who engages the past, and lives up to it.

Contemporary art is reflexively cynical. But a cynic is nothing without a utopian ideal.

A century ago, they really knew how to spend money.

Aitken’s video installation turns the museum inside out.

Yes, Kiki Smith’s art can shock. But she’d rather make you a little sad.

Two fresh looks at Saul Steinberg’s perfectly off-kilter urban landscape.

Once again, the Guggenheim tries to cram an entire culture—this time Spain’s—into one sweeping show. But, oh, those Goyas.

At the Metropolitan, those vicious, vulgar Weimar portraits get to bare their teeth.