Does anyone do this specialized repertory better than the New York Gilbert & Sullivan Players?

'An American Tragedy' is yet another contemporary-opera-by-the-numbers rehash.

The Met’s weird new production bleeds the delicate chemistry out of Roméo et Juliette.

Skip The Little Prince and take your kids to a real opera instead. They’ll thank you later.

If pop acts go on tour to plug their albums, why shouldn’t Cecilia Bartoli or Renée fleming?

Sheer musical excellence is what drives this 'Cosi,' one of those now-I-can-die-happy performances that comes along rarely.

Philip Glass’s latest work drones on at BAM; Ricky Ian Gordon gets a magical premiere at Lincoln Center.

The London Symphony Orchestra and the St. Petersburg Philharmonic make dazzling visits—and the home team looks pretty anemic in comparison.

The Met pulls out all the star power it can for the season debut—with (mostly) spectacular results.

A new production’s weird staging can’t diminish the huge emotional scope of Britten’s 'Death in Venice.'