Laura Shapiro reviews HereAfter.

The New York City Ballet's fiftieth anniversary stirs thoughts of the days of Balanchine and illustrious dancers past.

The nature of love inspires new American Ballet Theatre pieces by Lar Lubovitch (light and happy) and John Neumeier (not).

More lurid melodrama from the Eifman Ballet of St. Petersburg.

A roll of the dice determines the order of elements in Split Sides—even when you’ll hear Radiohead’s music for Merce Cunningham’s dancers.

Chucking a century's agglomeration of revisions, the Kirov looks to the original to inspire its astonishing new "Sleeping Beauty."

Though it's yet another big historical narrative, ABT's "Anastasia" is not without its charms.

Based on Othello, Paul Taylor’s monumental new dance spins a tale of jealousy and anguish; it was just one reason why Taylor’s City Center season was such a triumph.

Paul Taylor Dance Company
At City Center.

John Neumeier’s Nijinsky must be one of the best-dressed ballets ever seen at City Center, especially given the fact that it’s about a massive mental breakdown.