You are not logged in

New York Magazine

Skip to content, or skip to search.

Skip to content, or skip to search.

ARCHIVES

Movie Reviews Archive

July 27, 1998
Heroic Proportions

Savage yet exhilarating, Spielberg's "Saving Private Ryan" shows the great and minor acts of bravery that define valor against the horrific tapestry of war.

May 1, 2000
"Croupier"

"Croupier" gambles on actor Clive Owen -- and wins.

February 16, 2004
Science of Bachelors

The Scandinavian single men under observation in Kitchen Stories make classic comic fodder; The Code is a French thriller that asks, Why kill?

July 26, 1999
Strangelove

The sexual reverie of a doctor's wife sends him on a tour of the city's dark side in Stanley Kubrick's powerful (if sometimes silly) "Eyes Wide Shut."

October 27, 2003
Cheap Shots

In Elephant, Gus Van Sant aims for an objective look at teen shootings in America, but his art-house approach is way too cool for school.

November 22, 1999
"Anywhere But Here"
December 8, 2003
Zen Palette

Director Edward Zwick gives The Last Samurai a coat of deep-thought spirituality—and turns Tom Cruise into a haunted swordsman.

July 10, 2000
Braverheart

For Mel Gibson's "Patriot," the politics of revolution is personal; there's greater insight into American-British relations in "ChickenRun."

October 13, 2003
No Pain, No Gain

Clint Eastwood’s Mystic River is suffused with lives ruined by violence; in Kill Bill, Quentin Tarantino looks violence in the eye—and cackles.

January 3, 2005
Small Blunders

In two earnest indies, Sean Penn and John Travolta aim for authenticity—and miss by a mile.

Advertising
Current Issue
Subscribe to New York
Subscribe

Give a Gift