A British import, 28 Days Later, brings the zombie genre back to life. Swimming Pool fails to make a splash.

In "Mumford," about a psychologist who actually makes people feel better, Lawrence Kasdan returns to the sunny side of the suburban street.

Gael García Bernal’s South American road trip turns him into the revolutionary of everyone’s dreams. Plus: A Dirty Shame is a misnomer.

Thirteen bills itself as an authentic take on being a teen in the age of J.Lo, but these filmmakers still have a lot of growing up to do.

Oliver Stone’s ambition pays off in this lusty historical epic, full of elephants and eye contact.

Even in a comic cop-out like Something’s Gotta Give, Diane Keaton proves she’s not too old to be a star (or to bed Jack Nicholson).

The robotized Über-wives of Stepford, Connecticut, return to the screen in a silly, dull remake that goes no further than skin deep.

In Dark Blue, Kurt Russell plays Eldon Perry, a street-smart cop who must confront his own capacity for corruption while working for a rogue unit of the LAPD.