Filmmakers Keith Fulton and Louis Pepe followed iconoclastic director Terry Gilliam to Spain hoping to capture the making of a classic. What they got was so much better.

Three festivals bring the world to the city—another brings the city to Woodstock.

And abortions. That’s what Vera Drake offers working-class girls in distress, in Mike Leigh’s realist portrait of postwar London.

Bob Crane was many things -- small-screen star, sex junkie, autoerotic auteur, murder victim -- but in Auto Focus, he serves mainly to advance director Paul Schrader's moral lesson.

The Matrix Reloaded scores with its balletic fight sequences, special effects, and sexy stars in fetish-wear. Unfortunately, it’s also loaded down with feeble mythmaking.

In the brilliant, disturbing 'Happiness,' Todd Solondz gets in close to his characters, only to find misery in search of company, cruelty disdainful of absolution.

Sidewalks of New York
Children Underground
Kon Ichikawa

Running from commitments and failures, two college buddies romp through California, sampling the local wine—and women—in Sideways.

Adrian Lyne's sober "Lolita" misses Nabokov's joke.