The greatest-actor-of-his-generation label is a lot to stick on a guy, but Talk Radio gives Liev Schreiber a chance to back up the hype.

You’d think we’ve seen every possible war-is-hell tale—yet Journey’s End still has the power to silence an audience.

Kevin Kline is the latest star to fail the test of Shakespeare.

Somehow, the eight hours of dialogue in The Coast of Utopia leave one hungry for more talk.

First Spring Awakening, now In the Heights: Could musicals actually be adapting to a new century’s audience?

A pair of Elizabethan plays notorious for their monstrous stereotypes get a thoughtful airing-out.

And without one, the best actors in the world can’t save you.

Translations takes the Gaelic affection for language—and makes it the subject of a play. Can glorious words carry a whole drama?

Part Two of The Coast of Utopia is a chance to see stage work—from stars and journeymen alike—at its zenith.

Spring Awakening may finally succeed where so many others have failed, bringing pop music people care about to Broadway.