Tennessee Williams’s early and immature Spring Storm is best as a game for Williams fans: How many names, characters, situations, and devices of his later plays can you identify here?

Richard Nelson's portrait of Benedict Arnold is short on character; Encores! celebrates a glorious decade.

Broadway’s spring awakening comes in the form of a finely observed drama about a ballet master and the mysterious couple who visit.

sometimes wonder whether Tony Kushner’s greatest talent isn’t for marketing.

In "A Moon for the Misbegotten," a trio of great actors reveal the searing power of O'Neill's last play (even if one of them is somewhat miscast).

Lanford Wilson’s Vietnam-ruined Talley clan seems a little dated in an imperfect revival of Fifth of July; David Lindsay-Abaire’s glibness runs riot in Kimberly Akimbo.

"The Country Club" is a deft, sad tale of twentysomething blue bloods at loose ends; "Mud" and "Drowning" give you the feeling of drowning in mud.

Brooklyn Boy is Donald Margulies’s warm yet unsentimental pilgrimage to his outer-borough childhood.