Buyers continue to gravitate toward contemporary art—and Donald Judd’s the hottest ticket.

Critical opinion has jelled: The new Modern is too safe. Can it become more than just a museum again? Should it?

Director Fernando Meirelles' invigorating Brazilian TV series, City of Men, based on City of God (sort of), is premiering this week.

Drawing Restraint 9 artist Matthew Barney discusses his influences.

James Truman, no longer feeling Lucky, joins the art world.

In Bruno Rosier’s show at Aperture gallery and the accompanying book, the original, selfish reason for taking the picture—capturing that “I was here” moment—is elevated to a collective memory.

A guide to the Whitney Museum's signature survey of contemporary art (March 2-May 28).

Why is the art world so drawn to William Kentridge? Because he’s the rarest of political artists: a subtle, funny one.

In photographer Tim Davis' latest series, “Illilluminations,” light doesn’t reveal so much as strip, desensitize, and ultimately obscure

“It’s not interesting to take pictures of people going places. You have to go to neighborhoods where they’re standing still or sitting.”