“It’s not interesting to take pictures of people going places. You have to go to neighborhoods where they’re standing still or sitting.”

Let the experts parse whether Rizzuto was a great photographer or merely an interesting one; the rest of us can plunge into the intense, faintly foreign mid-century coiffure and formality of dress.

"I don't rehearse, because performance art is not about rehearsal; that's what makes it different from theater."

A museum exhibit about Charles Darwin? That’s timely.

Tracey Emin’s a brassy, confessional celebrity in London. Isn’t it time for New York to pay attention?

“Of course, there’s the relationship between the church and colonialism,” says Shonibare. “But I'm also concerned with the poetic and the poise.”

Is Jenny Holzer’s art in danger of being washed away by the digital storm that surrounds her?

"Most of my work, except the 'LOVE' paintings, is bound up in autobiography, bits and pieces of my life, my geography, my history, my friends."

William Eggleston's Photo Portraits at Cheim & Reid.

It’s like somebody said he could have this space—he didn’t have enough time to figure out what to do. But if you’re famous, you get to do that.