Six gimmick-driven theater performances.

I had this huge, ugly, seven-foot costume on, but my legs were just in red tights, and all day long, gentlemen would come up to me and say, “Darling, can I be around when you take that rooster costume off?”

She’s a sexually frank female performer who’s used her phenomenal mainstream popularity to help women around the world. So why does she drive me crazy?

There’s not a note in the score that I can’t sing. I happen to love my voice, and I think I can do things with my voice that many people who have what you would call more a conventional voice can’t.

Broadway’s Dirty Rotten Scoundrel explains how he got that way.

Have you heard the one about David Mamet? He’s tackling the Mideast peace process, penning musicals, scribbling cartoons—and joking all the way.

We went to Jonathan Livingston Seagull. They’re real seagulls, just flying around. And then one of them starts talking.And then I was like, I’m not sure but that seagull may be Jesus. So it’s almost worth seeing.

Onscreen, he’s the perfect actor’s actor. But behind the scenes, Philip Seymour Hoffman keeps busy saving Off–Off Broadway.

Jessica Lange threatened never to return to Broadway. Why’s she taking another spin in The Glass Menagerie?

I’m sure I’ll lose, but I’m in there with the biggest heavy hitters in the comedy world. I feel included for the first time.