Jane Fonda returns to the stage, radical and chic.

Producer Chase Mishkin is about the magic. She reads a script, she loves it, she puts it on

Eugene O’Neill’s Mourning becomes Lili Taylor.

Denis O’Hare has been weaning himself off Broadway, venturing into increasingly dark territory.

Mary-Louise Parker is the latest to tackle the iconic role. Can she, finally, get it right?

Richard Greenberg on reworking his breakout play.

As he tells it, moving from wild farces like Fuddy Meers to the grief--filled Rabbit Hole was partly about changing it up as a writer.

Fela!, tops with list, along with Top Girls, Gypsy, and more.

Three vintage American plays. And three fascinating and provocative examples of racially unconventional casting.

Where the curtain goes up on eye-opening work.