In its crystalline restoration by the UCLA Film and Television Archive, Killer of Sheep can be seen (and reseen) as a great—the greatest—cinematic tone poem of American urban life.

The Lookout is a nifty neurological thriller that only goes brain-dead at the end. Plus: Adam Sandler’s 9/11 movie.

The politics may be familiar, but Ken Loach’s harshly beautiful new film delivers some satisfying surprises.

It came from Korea—but America’s more to blame—and it’s one scary, splendid monster.

David Fincher’s Zodiac is no Se7en, but it’ll still give you the willies.

An Oscars Exchange.

His new bid for seriousness doesn’t add up. Among the problems: Joel Schumacher.

Days of Glory smartly salutes the Algerians who fought for France, which didn’t return the favor.

The Lives of Others appeals to our better—and baser—instincts. Factory Girl has no appeal at all.