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David Edelstein

December 12, 2011 |
Multiplex Eschatology

What does it mean that the world ends again and again onscreen?

December 12, 2011 |
Inevitable Triumph of the Year: Meryl Streep

Curse you, Meryl Streep! You’ve won again.

December 5, 2011 | The Movie Review
A Dangerous Man

Ralph Fiennes’s Coriolanus gets at the heart of the play and adds cinematic bloodshed.

November 28, 2011 | The Movie Review
When Vampires Mate

The fourth Twilight film is—like a lot of weddings and births—an unexpectedly primal experience.

November 21, 2011 | The Movie Review
Blue Hawaii

The guy who paved paradise and put up a parking lot? It’s George Clooney, in The Descendants.

November 7, 2011 | The Movie Review
Not Enough Fear, Not Enough Loathing

The Rum Diary is watered-down Hunter Thompson; Tower Heist stands tall.

October 31, 2011 | The Movie Review
‘Crazy’ Good

The most infectious love story in decades. Plus: Anonymous deserves to be lost to history.

October 24, 2011 | The Movie Review
Disaster Movie

Margin Call inadvertently becomes the film of this financial moment.

October 17, 2011 | The Movie Review
Exteriors

With The Skin I Live In, Almodóvar focuses again on live flesh—yet somehow, it’s lost that rosy glow.

October 10, 2011 | The Movie Review
K Streetwalkers

In The Ides of March, director George Clooney informs us that politics drags down even good people. This is news?

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