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Justin Davidson

April 12, 2010 | The Classical Music Review
Talent Times Three

Celebrating Thomas Adès, the composer-pianist-conductor of his generation.

March 29, 2010 | Feature
Beethoven’s Kapow

Can Ivan Fischer put the shock back into “Eroica”?

March 15, 2010
The Class of '10

After decades of putting up awful buildings, Columbia tries to break its streak.

March 8, 2010 | Feature
When the Water Rises

Five architects’ plans for managing a globally warmed future.

February 24, 2010 | The Classical Music Review
Just Listen

At the Met’s new Attila, the sets are by Herzog & de Meuron and the costumes by Prada—but the show’s a lot better if you ignore them both.

February 8, 2010 | Feature
Bionic Overload

Can machine-made music sing without a composer?

January 19, 2010 | The Classical Music Review
It’s All About Domingo

In a pair of Verdi operas at the Met, Plácido fills every possible moment with starpower, to mixed results.

January 18, 2010 | The Classical Music Review
After 24 Years, the Met Finally Has a Great ‘Carmen’ Again

Justin Davidson on the Metropolitan Opera's Carmen.

January 4, 2010 | The Classical Music Review
Literary Notes

A director melds classic poetry and music, seeking more than the sum of the parts.

December 21, 2009 | Reasons to Love New York 2009
29. Because the Ghastliest Highway Imaginable Can Become a Muse

Sufjan Stevens' BQE Symphony.

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