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Justin Davidson

November 26, 2007 | Feature
A Tony Soprano

Measha Brueggergosman ought to be headed to an opera house near you.

November 26, 2007 | The Classical Music Review
¡Qué Fantástico!

Gustavo Dudamel makes an enormously charismatic New York debut.

November 19, 2007 | The Classical Music Review
After the Disappearing Act

Barber’s Vanessa isn’t the forgotten marvel they say it is—but it’s a great vehicle for City Opera’s star soprano.

November 5, 2007
The New Prewar

Old-style luxury returns (or does it?) at Fifteen Central Park West and the Plaza.

November 5, 2007 | The Classical Music Review
Fair Is Foul, and Foul Is Fair

Verdi’s Macbeth returns to the Met, in awkward, stagy fashion.

October 29, 2007 |
Santiago Calatrava

Whether they’re built or not (and at least one will be), his designs imagine our city in gloriously exuberant terms.

October 22, 2007 | The Classical Music Review
Vital Organist

Paul Jacobs can shake the rafters—and your soul.

October 15, 2007 | The Classical Music Review
Orchestrating Change

The New York Philharmonic is as reliable and consistent as a metronome—and about as dull.

October 8, 2007 | Feature
The Liberation of Daniel Libeskind

The architect who lost the battle over the Freedom Tower (though not, in his opinion, the war) may now build Manhattan’s tallest residential building. And he’s built a whole new career for himself by carefully mining the line between idealism and concession.

October 8, 2007 | The Classical Music Review
Pretty Bloody Good

Natalie Dessay is a fabulous, if not exactly subtle, Lucia.

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