Sarah Ruhl’s The Clean House feels like it’s been thoroughly scrubbed of human ambiguity. And the jokes would really work better in English.

How a perky British nanny became a Broadway superstar.

Grey Gardens isn't the revolutionary musical for today, but you won’t see the likes of its star anywhere else.

Q&A with the 'The Little Dog Laughed' actress.

Highlights from BAM’s annual Next Wave Festival—this year, the largest ever.

There are still secrets left to tell about Little Edie Beale, including her diary.

Performance Space 122 presents BAiT (Buenos Aires in Translation), a series of four new plays by established Argentine playwrights.

Just how enormous an undertaking is Tom Stoppard’s epic three-evening play about nineteenth-century Russian intellectuals? As the first third opens this weekend, a selective breakdown.

As boomer Broadway wheezes its way into irrelevance with The Times They Are A-Changin’, a fresh voice emerges downtown.

Highlights from the November theater lineup at Makor, produced by the 92nd Street Y.