Brace yourself, Stoppard fans: The master brings a nine-hour drama to Lincoln Center.

John Doyle made waves when he gave Patti LuPone a tuba for Sweeney Todd. Will it work for “The Ladies Who Lunch”?

Making a Broadway musical from Nick Hornby’s lovely novel High Fidelity, about a lovelorn indie-record-store snob, sounds dubious. But with a script by David Lindsay-Abaire and a star turn from Will Chase—widely considered the only good thing about last year’s Lennon—there is cause for hope.

Christine Ebersole chats about—and with—Little Edie Beale.

Julianne Moore on her role in David Hare’s international-studies play The Vertical Hour—and how she almost skipped her return to Broadway.

A quickie Shakespeare translator for what you’ll hear onstage—and chat about afterward.

Meryl Streep survives a war and an ill-fitting role in Tony Kushner's timely Brecht adaptation.

A long story short.

Highlights from the 8 Minute Madness Playwright Festival, a competition that challenges emerging playwrights to write eight-minute works.

Our picks from the New York Clown Theatre Festival, which kicks off with a free-for-all pie fight and subsequently brings performances, cabaret evenings, and workshops to Williamsburg’s Brick Theater.