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ARCHIVES

Theater Archive

September 25, 2006
The Fire This Time

Our picks from the Ohio Theater’s Ignite festival, a three-week downtown mix of cabaret, monologues, comedy, dance, and one-act plays.

September 11, 2006
Theater Preview

Julianne Moore, Europe’s favorite American actress, debuts on Broadway; Sweeney Todd mastermind John Doyle’s next move; nine hours of Tom Stoppard.

September 11, 2006
Marathon Man

Brace yourself, Stoppard fans: The master brings a nine-hour drama to Lincoln Center.

September 11, 2006
But Is the Cast Album on Vinyl?

Making a Broadway musical from Nick Hornby’s lovely novel High Fidelity, about a lovelorn indie-record-store snob, sounds dubious. But with a script by David Lindsay-Abaire and a star turn from Will Chase—widely considered the only good thing about last year’s Lennon—there is cause for hope.

September 11, 2006
Company’s Coming

John Doyle made waves when he gave Patti LuPone a tuba for Sweeney Todd. Will it work for “The Ladies Who Lunch”?

September 11, 2006
Channeling the Grey Ghosts

Christine Ebersole chats about—and with—Little Edie Beale.

September 11, 2006
A Berlitz Guide to BAM

A quickie Shakespeare translator for what you’ll hear onstage—and chat about afterward.

September 11, 2006
The Ten-Percent Solution

This fall’s Broadway transfer of Douglas Carter Beane’s The Little Dog Laughed suggests a new subgenre: the Agent Morality Play.

August 24, 2006
All the World’s a Stage

Julianne Moore on her role in David Hare’s international-studies play The Vertical Hour—and how she almost skipped her return to Broadway.

September 11, 2006
Sing It Strong

Highlights from the third year of the 34-show New York Musical Theatre Festival, which promotes up-and-coming artists and theater companies.