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Scott Brown

April 27, 2010 | The Theater Review
By the Numbers

Enron is a high-tech cartoon, trading humanity for strenuous fun.

April 26, 2010 | The Theater Review
Denzel Plays God

Superbly, in the form of a Pittsburgh tyrant, in August Wilson’s Fences.

April 20, 2010 | The Theater Review
Twenty-First Century Breakdown

The phony, empty-headed mess that is American Idiot.

April 15, 2010 | The Theater Review
The Best of Times

La Cage Aux Folles flies in from London, rejuvenated.

April 8, 2010 | The Theater Review
Two Snaps Down

The Addams Family forgoes sly mordancy in favor of strident mugging.

April 4, 2010 | The Theater Review
The Laughs Drown Out the Creaks

High-energy performers, led by Tony Shalhoub, keep Lend Me a Tenor from losing its brio.

March 4, 2010 | The Theater Review
Novelty Act

Martin McDonagh’s thinnest play gets a creepy boost from Christopher Walken and Sam Rockwell.

March 3, 2010 | The Theater Review
And the Hits Keep Coming

A superb and powerful revival of The Miracle Worker pulls none of its punches—emotional or physical.

February 26, 2010 | The Theater Review
“Dropped From Heaven?” Not Quite.

Sam Mendes’s Bridge Project seems to have everything going for it, so why do As You Like It and The Tempest feel so dead?

February 18, 2010 | The Theater Review
Another History of Violence

Directed by Ethan Hawke, Sam Shepard’s A Lie of the Mind returns, packing every possible kind of wallop.

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