Feature

Where the Scenes Are

(Photo: Noah Kalina)

Long Island City
Who’s there: Min Kim, Ian Burns, Wardell Milan, Christian Holstad; the individualists who began trickling out here several years back, looking for big industrial spaces and midtown access via the 7 train.
Connections: Quiet folks seeking quiet, the artists here tend to socialize elsewhere or at home. Holstad’s assistant, Heidi Hilker, has her own studio next door.
Hangouts: Ten63 café at 1063 Jackson Avenue for brunch, the piers of Gantry Plaza State Park by the East River (pictured) for sunlight, Lounge 47 on Vernon for post-opening drinks.
Galleries: Nonprofits—Socrates Sculpture Park, the Sculpture Center, P.S. 1—spread among the garages and factories.
Artistic Vibe: Sprawling, homespun installations or carefully ornate drawings. Burns, who uses found materials in his sculptures, has discovered a new category of trash since moving from midtown: “There are a lot of sweatshops around, and garbage bags full of shoulder pads,” he says.
Atmophere: Industrial wasteland, interrupted by residential pockets like Vernon Boulevard. “The neighborhood comes to life at four in the morning,” says Burns. That’s the busy time across from his studio, at the car wash that houses a mosque that houses a vendor-cart business.

(Photo: Noah Kalina)

Bushwick and Greenpoint
Who’s there: Video artist Guy Ben-Ner, painter Kamrooz Aram (who lives in Clinton Hill), conceptual artist Tobias Putrih (who lives in the East Village but works here), Sean Bluechel; Jules de Balincourt (Greenpoint studio); artists searching for the Williamsburg rents and square-footage of ten years ago.
Connections: Few and far between. People tend to move there for the space, not the social life.
Hangouts: In Bushwick, the only options are the Archive (pictured), a nine-month-old café and video store off the Morgan Avenue L-train stop, and your choice of Mexican bodegas. In Greenpoint: the Pencil Factory or its more daylight-friendly sibling down Franklin Street, the Greenpoint Coffee House, and a divey bar called the Lyric Lounge. Enid's, near McGarren Park, for brunch.
Galleries: None to speak of. Yet.
Artistic Vibe: Quirky, conceptual, slightly do-it-yourself, typified by Guy Ben-Ner’s epic “home movies”; Putrih’s handmade objects referencing architectural models and his geometrical drawings; and De Balincourt’s low-key inverted maps and homemade treehouse.
Atmophere: “Quite boring,” says Putrih. “I like it. It gives you a strange feeling to live among all those engines and trucks.” “Not spoiled,” adds Ben-Ner. Still, the neighborhood is getting less rough and desolate: The floor below Aram’s studio has been transformed in the past year from grim manufacturing space into a dozen studios. Polish Greenpoint retains its passion for pierogi and the mother tongue. “It’s a more conservative and proletarian and religious community, outside my art bubble,” says De Balincourt.

(Photo: Noah Kalina)

Williamsburg
Who’s there: Installation artists and sculptors Justin Lowe, Courtney Smith, Peter Caine, Mike Bouchet, David Opdyke, Jamie Isenstein; photographer Jen DeNike; other artists subletting sublets of sublets; leftover nineties pioneers. Generally a more established community; a little older, a little richer.
Connections: Openings at Roebling Hall, where Smith and Opdyke show, spill out the door, no matter who’s showing. Such events are “a sizable chunk of my outside social life,” says Smith. Gallerists Christian Viveros-Faune and Joel Beck show art by Joe Amrhein, who owns the gallery Pierogi (pictured), which opened in 1994.
Hangouts: The tiny, eclectic Diner and the beer-and-oyster joint Marlowe and Sons, both near the Williamsburg Bridge. Later-drinks spots include the nearby Southside Lounge or Supreme Trading on North 8th. One L-stop farther out (Lorimer Street), Hope and Union is the café of choice.
Galleries: Pierogi and Roebling Hall are the stalwarts; Momenta, Parker’s Box, Schroeder Romero, and Plus Ultra have provided many first breaks.
Artistic Vibe: Found-object installations, politically charged sculptures, whimsical personal photos. Lowe’s installation last spring at P.S. 1 incorporated a van he bought for $75 at the police auction yard on Kent.
Atmophere: It’s a “postcollegiate utopian village,” says Lowe. “You have to leave early to get somewhere because you’re going to run into someone you know.”

She Can’t Be Bought
You want a Mehretu? A Hirst? A Koons Fat chance. A much-watched lawsuit is exposing the painful truth of this overheated market: It takes more than money to buy a hot piece of art.

Artists on the Verge of a Beakthrough
The ten most likely to succeed from the “Greater New York”show.