![]() |
Blind Faith and Tunnel Vision by Jules de Balincourt, courtesy of Zack Feuer Gallery/LFL
|
![]() |
(Photo: Frank Schwere)
|
Jules de Balincourt
Painter
“I’m so sick of being pegged as an outsider,” says painter De Balincourt, frustrated with the market craze
for faux-naïve painting. His canvases overflow with references to Americana—which doesn’t mean they’re folksy, or even especially American; born in France, De Balincourt was raised on the West Coast by
his “alternative” mom. The 32-year-old artist is in his final year of the Hunter M.F.A. program, but his thesis will
have to wait: He’s been holed
up in Greenpoint completing work
for “Greater New York” as well
as a second solo show at Zach Feuer (opening March 3). Since the Rubells, Dean Valentine, Mario Testino, Rosa
de la Cruz, and the Aldrich Museum are among De Balincourt’s collectors,
it’s unlikely that the “outsider” label will haunt him for much longer.


Email
Print
Why Oliver Stone Made His Bush Biopic, W.
Theater Review: A Man for All Seasons
David Edelstein on Happy-Go-Lucky
Hilary Berseth's Buzzworthy Sculptures
Look Book: The Visual Merchandiser 
Home Design: The Country in the City
Allegretti Attempts
Vintage Stores to Keep You Stylish on a Budget
Why Would Sarah Palin Ever Leave Wasilla?

How Nate Silver Built a Better Crystal Ball
Obama's Optimistic Populism 