French celebrity intellectual Bernard-Henri Lévy has certain things he wants to say to America, and he wouldn’t mind saying them on The Daily Show. “Jon Stewart for me is the best,” he says. “There is nothing equivalent in France. I often read that in America there is nothing similar to BHL. So it could be a good combination.”
If you’ve never heard the initials BHL, which is what Lévy tends to go by, if you’ve missed his appearances on Charlie Rose or this year’s Vanity Fair best-dressed list, he’s hoping that will change with the publication this month of his new book, American Vertigo. In it, he travels the United States “in the footsteps of Tocqueville.” The trip was the idea of the Atlantic Monthly, which serialized his observations and hired a young assistant to chauffeur him down the open road because BHL doesn’t drive. (“It’s my infirmity,” he apologizes.) The book, his 30th and the first to be published in the United States before France, is a somewhat expanded collection of those dispatches.
“The trip was under three shadows,” BHL explains. “The shadow of the war in Iraq, the shadow of an election, and the shadow of Katrina,” although the hurricane hadn’t struck at the time he wrote the book. “The anti-ci-pated shadow of Katrina, as you see. I was in New Orleans four or five months before Katrina, and I more or less foresee what is going to happen.”
BHL, 57, is not a man particularly encumbered by modesty. When he comes downstairs from his room at the Carlyle—where he’s stayed whenever he’s been in town for the past 30 years—he’s wearing a black velvet jacket and a white shirt unbuttoned, as is his habit, to display his tanned chest. A self-described “Baudelairean,” he is adamantly libertine, with a long history of mistresses. He’s also clearly rich—his father owned a large lumber concern, and BHL owns a palace in Morocco and is married to the extraterrestrially beautiful actress Arielle Dombasle.
As a sort of Parisian amalgam of Susan Sontag and Warren Beatty, he’s sometimes referred to in France as—trailing Nietzsche here, not DC Comics—“Superman” by admirers and detractors alike. In his daughter Justine Lévy’s 2004 novel, Nothing Serious, the main character, Louise—a writer who wants desperately to please her father, “BHL”—gets addicted to amphetamines, which she’d seen him take to write more quickly. On them, she becomes “Superlouise,” with “direct access to Dad’s cortex.” (BHL denies it’s a tell-all: “My daughter is a writer. The more she reveals, the more she hides.”)
At 29, Bernard-Henri Lévy took the first major step toward becoming BHL when he published a book, called Barbarism With a Human Face, attacking his fellow intellectuals’ fascination with Marxism. It established the patterns of his life and notoriety: anti-totalitarian, internationalist, atheist, and what he calls “anti-anti-American.” (He later wrote a book about how the French are “wired for Fascism.”) In 2002, he went to Pakistan and wrote a book called Who Killed Daniel Pearl?, about the Wall Street Journal reporter, which is how he caught the attention of the Atlantic, which was looking for a suitable Frenchman to do a post-9/11 Tocqueville.
“It is not a book of philosophy,” BHL says, between digging for cashews out of the bowl of mixed nuts. “Because it’s journalism, it is literature, it is funny—I hope you laugh sometimes. But it is a philosophical work in spite of being journalistic, comic, and so on. C’est un geste philosophique—a philosophical gesture.” He set out to uncover America’s “crisis of identity. The most powerful country in the world does not know what it is, it feels itself in a deep trauma, a deep neurosis. It was interesting to go behind the curtain.” A van full of French filmmakers followed him the whole trip, so there’ll be a documentary as well. Synergie!
American Vertigo, while somewhat adhering to the “footsteps of Tocqueville,” careers around, allowing him to drag the ironies out of Cooperstown (which he describes as a church), a suburban Chicago megachurch (“neo-paganist”), an anti-Semitic Indian leader, the Mall of America (“a church,” again), John Kerry (“a European at heart”), and a big retirement community (it reminds him of apartheid). He visits with clueless Hollywood liberal Sharon Stone (whom he manages to observe crossing her legs) and finds Las Vegas strippers mechanically standoffish (“the wretchedness of Eros in the land of the Puritans”). In Michigan, he marvels at the solidity of the American identity among Arab immigrants. (The book was finished before the riots broke out in Paris: “We have our crisis there, sure,” he says. “You had your riots in the nineties.”) In Dallas, at the assassination site of JFK, he wonders, “What is a myth that you no longer believe in that still functions?”