In 2005, the bubble didn’t burst, and the
Chelsea gallery scene kept expanding—while heavies like Matthew Marks and Damien Hirst called attention to themselves (yet again). The Met reestablished its stellar reputation. Digital art took a small step forward. Oh, and someone put a bunch of saffron fabric in the park. ... Read the story
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In 2005, the bubble didn’t burst, and the Chelsea gallery scene kept expanding—while heavies like Matthew Marks and Damien Hirst called attention to themselves (yet again). The Met reestablished its stellar reputation. Digital art took a small step forward. Oh, and someone put a bunch of saffron fabric in the park. ... Read the story
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