Fred Wilson has an uncommon touch with common things. His art—and the
discomfort it provokes—is in the context. Could be why the carabinieri
didn’t quite get it at the opening of the fiftieth Venice Biennale, where he is
America’s representative.
... Read the story
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The Shock of the Familiar
Fred Wilson has an uncommon touch with common things. His art—and the discomfort it provokes—is in the context. Could be why the carabinieri didn’t quite get it at the opening of the fiftieth Venice Biennale, where he is America’s representative. ... Read the story