The revival of the revue Berlin to Broadway With Kurt Weill is Weill for beginners: Neophytes and the undemanding will benefit from it. For the more knowledgeable, two things stand out: the snazzy pianism of Eric Stern, who even looks like a Jewish Brecht; and the young Swede Bjorn Olsson. Though a baritone, he reminded me -- in looks, vocal acumen, linguistic and histrionic prowess -- of his great countryman, the tenor Nicolai Gedda.
Advertising
Most Popular Stories
Most Viewed
Last 24 Hours
- Paul Ryan: Free Lunches Make Kids Soulless [Updated]
- How Oscar Pistorius Might Avoid Prison
- The Best of Twitter Interrupting Cameron’s Phone Call With Obama
- After Newsweek Reveal, Man Insists He Isn’t Bitcoin’s Creator
- The Plot From Solitary
- Mike Lee’s Tax-Reform Plan Does, in Fact, Suck
- The Hijacking of Satoshi Nakamoto
- Broke Law Firm Dewey & LeBoeuf Was Also Fraudulent, Prosecutors Say
- Only 39 Percent of New Yorkers Approve of This Bill de Blasio Character Now
- Bro Who Never Worked at Goldman Sachs Deemed Unqualified to Write Goldman Sachs Elevator Book
Most Emailed
Last 24 Hours
- The Plot From Solitary
- How Not to Talk to Your Kids
- Justin Davidson: How Can the Vienna Philharmonic Change Without Changing?
- Why You Truly Never Leave High School
- Bar-onomics
- Space of the Week: A Firehouse, Revisited
- How I Got Over My Al Gore-a-phobia
- By Noon, These Two Will Have Brought In Another Half a Million More Dollars
- Listening to Xanax
- New York Wedding Guide - Makeup Artists Directory