She sees nothing contradictory in her material comfort. The division between the sacred and the profane, God and money, she thinks, is one of the “wounds” that alternative spiritualities were meant to heal. New York itself, she says, is one big, pulsating, alternative spirituality, a DNA spiral of sacred and profane, spirit and dollars.
“Real estate,” she told me when we first met. “Perfect example.” One of Sondra’s clients is a former telecom exec named James Hatt. Hatt moved to New York from London in 1999, and fell in love: with an American woman, the city, its opportunities. He bought properties, he sold them, he prospered. But then he’d picked up a million-dollar co-op in which someone had gone insane. Once he listed it for sale, the apartment sat on the market for seven months. Finally, says Hatt, a fellow real-estate agent said, “Look, there’s this woman you should try. A lot of agents use her. Nobody talks about it.” “This woman” sounded like an arsonist. But what Sondra offered, says Hatt, was a “cleansing,” a service she and other healers quietly supply for most, if not all, of the city’s major brokerages. There’s no directory for this kind of work, but Jennifer L. Dorfmann, a broker for Corcoran, told me that when she sent out a query to colleagues asking for recommendations, she received half a dozen names in a manner of minutes. Sondra provided me with a list of brokers she works with at other firms, but their employers forbid them from talking about what some clients might consider hocus-pocus, even if the cleansing fee—usually around $250—comes out of the broker’s pocket.
“An hour and a half,” recalls Hatt. “She chants a mixture of incantations and prayers, from a variety of faiths and persuasions. Her whole technique is very silent, quiet, unto herself. Nothing for the audience, you know?”
Hatt sold the apartment two days later, and when he hired Sondra to cleanse a loft in Soho where the previous occupant had died, after it had sat unsold for four months, it also moved in a matter of days. Hatt started seeing Sondra for personal healings, long sessions that began with Sondra’s setting up an altar to a variety of divine figures and going on to channel their energy into and around Hatt’s spirit-body.
In the material world, Sondra is surpassingly gentle, an elfish assemblage of diminutive bones and smooth skin and giant eyes. These days, she believes she’s a fairie. She says that a close friend, a high-powered real-estate broker herself and a conservative woman in most respects, is “of angelic descent,” with an invisible dragon living in her apartment.
In the early eighties, when she was an English student at Rutgers, Sondra was “goth before there was goth,” moping to the Smiths and the Violent Femmes. Later, when she was getting an M.A. in fiction at New York University, she had a sideline in modeling. When she graduated from Brooklyn Law near the top of her class in 1992, she molted into tailored suits and conservative hair. Bored by corporate law practice into a state of depression, she left Davis Polk to work as a part-time attorney while studying acting at the Stella Adler school.
Now her favorite color is pink; it’s cultural—“I’m a girl-girl,” she says—as well as spiritual, what she calls a color of power. In cold weather she wears a pink puffy coat over a pink sweatshirt emblazoned with a brooklyn logo, with a pink hat and pink gloves and Nikes with pink swooshes, and blue jeans that are a little too big for her. She often stands too close to people, but nobody seems to mind. Her presence is asexual, not so much celibate as ethereal.
Still, she assumes an easy, unforced intimacy with her clients. One weekend I join her on a cat-healing house call; once the feline patient, Bowie, is restored to health, Sondra turns to face the cat’s owner, Rose, as she lies on her couch. She frames a triangle over Rose’s face with her hands. Rose’s face collapses into her couch cushions. Sondra’s, meanwhile, has undergone an even more curious transformation. For an hour, her chin disappears. Lines normally invisible stretch like deltas from her eyes, and her smooth forehead is as furrowed as rough seas. She raises her triangle hands, the veins pop in her neck, and when she has them fully extended above her head, she blows—foof!
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