“It’s not just a coincidence that so much of my family is devoted to public service,” says Rory Kennedy, who, as Robert Kennedy’s youngest daughter, has clearly inherited the social-justice gene, making documentaries on such subjects as rural poverty and AIDS. Her latest film, A Boy’s Life (airing March 24 on HBO), is about a troubled Mississippi 7-year-old who’s caught in a custody dispute between his chronically ill mother and his domineering grandmother. At one point, the grandmother claims the boy tried to kill himself; later, in a very unsettling scene, she hands him a gun to play with. (It wasn’t loaded.) It was a moment that tested Kennedy’s noninterventionist tendencies as a documentarian. “In that scene, I felt the most visceral reaction of I’ve got to do something,” says the filmmaker, who has a 16-month-old daughter with her husband, Mark Bailey. (It was their wedding that was rescheduled when John F. Kennedy Jr.’s plane went down.) “I decided not to, but it was very, very hard. It’s frightening, but it’s going to happen whether I’m there or not.”
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The Transformation of TV Into an Art Form
The Draw of Dream Worlds in Film
Gosselin, Prince of the Professional Nobodies
A Decade of Defining Moments in Pop Culture
The Invention of New York's Local Cuisine 
Thirty-Five Short-Lived Looks of the Decade
Two Views of a Swath of the Upper West Side
An Older Generation Moves Into Williamsburg
Ten Years That Changed Everything
A Generation of Overparenting
The Sports Rivalry of the Decade
What Is the Point of the United States Senate? 