![]() |
(Photo: Jake Chessum) |
What are you doing today?
I came uptown to visit Steuben to see my collection in the window. The work is my first
in glass. I mixed it with bronze, and the result was very exciting. Especially the fishbowl that sits on a brown coral reef and makes me smile.
Where do you live?
Soho. I’ve had a loft there for the past 25 years—it’s a great live-work thing.
Does the gentrification of Soho bother you?
No. The performance artists and poets didn’t have the capital to save all the rotting buildings. Everything evolves, nothing stays still.
What’s your sculpting style like?
Organic.
My figurative sculpture has an oceanic aspect or a botanic theme.
I’m up in the tree if I’m not under the ocean.
And how about your personal style?
Simple. My physical presence
I keep curated—always the same—and I just stay strong and healthy.
Tell me about your outfit.
I guess you could say it’s a uniform. I have lots of these dresses. Twenty years ago I backed into a store called Chelsea Designer in
Soho during a rainstorm and saw this dress in burgundy. Now the store is closed and the designer lives upstate, but I have them made: white for the summer and for Miami, where I also have an apartment, and then a few grays for the gray days. I have a few dark blues and velvet for fall, cashmere for winter.
So how many of these dresses do you have?
At least twenty. And
I always wear Hanro underpinnings beneath—leggings and camisoles, even in the summer, because of
air-conditioning. I used
to go to Switzerland to get them, but now
I buy them on Madison Avenue at Peress.
And your coat?
It’s from Hermès. About three years ago they had a very interesting designer, Martin Margiela. This coat is alpaca, which
is so nice and warm in the fall.
Do you ever buy other dresses?
If I ever deviate, like when I go out to something black-tie, the designer of Morgane Le Fay, Liliana Casabal, will make me something. It’s usually a variation on this shape.
You’re very consistent!
I’ve combed my hair the same way for 40 years now, and I’ve always believed in a red mouth. I know what looks correct.


Email
Print
Eight Year-End Films Vie for Oscar Contention
Sondheim and Lansbury on a Lifetime in Theater
The Black Keys Release Their Hip-hop Debut
How the BQE Became an Artistic Muse
On Great Jones Street, Shopping Is Art 
Classic Fare, Old-world Charm at Le Caprice
Buy a Brownstone for Less Than $1 Million
Fifty of the City's Tastiest Soups
Reasons to Love New York 2009
New York Politicians Refuse to Quit
A-Rod Has Babe Ruth in His Sights
McCain Yields to the Party's Pressure