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130 Bradhurst Avenue, Apartment 1003

What: An 1,152-square-foot, two-bedroom, two-bath in a development that opened last year. Each of the two bedrooms has a terrace, and there’s also a small study. Listing broker Charlie Lewis says the building was explicitly designed to make the most of its views of Jackie Robinson Park.
Monthly maintenance: $1,127.
Agents: Charlie Lewis and Robert Williams, Warburg Realty.
Price: $599,000

Photo: Courtesy of the Broker

152 East 118th Street, Apartment 8U

What: An 802-square- foot one-bedroom, one-bath with a den in the Embelesar 118, a 2009 co-op with cold storage, a bike room, and a parking garage, topped with both moderate-income and market-rate apartments.
Monthly maintenance: $887.
Agents: Vie Wilson, Dianne Howard and Eric Agosto, the Corcoran Group.
Price: $405,000

Photo: Courtesy of the Broker

307 West 126 Street, Apartment 2A

What: An 854-square-foot two-bedroom with oak floors and exposed brick walls in a circa-1900 condo conversion. The building’s recently embellished lobby has custom-made mahogany doors, marble floors, and a stained-glass chandelier.
Monthly charges and taxes: $750.
Agent: Todd Stevens, Prudential Douglas Elliman.
Price: $499,000

Photo: Courtesy of the Broker

1280 Fifth Avenue, Apartment 6J

What: An 870-square-foot one-bedroom with picture windows and white- oak flooring in an ecofriendly development designed by Robert A.M. Stern. The Museum for African Art, still under construction, anchors the building at the base.
Monthly charges and taxes: $941.95.
Agents: Patrick Smith, Brown Harris Stevens Project Marketing.
Price: $828,935

Photo: Courtesy of the Broker

117 West 123rd Street, Apartment 8B

What: An 1,815-square-foot three-bedroom, two-bath with two terraces in a 26-unit condo stuffed with swanky flourishes (radiant-heat floors, Viking ranges) and amenities (fitness center and, for a price, underground parking).
Monthly charges and taxes: $1,370.32.
Agents: The Boland Group, Halstead Property.
Price: $1.245 million

Photo: Courtesy of the Broker

248 West 138th Street

What: A 5,016-square-foot, 22-foot-wide restored townhouse built in 1910 on landmarked Strivers’ Row. Has lots of the period detail that excites townhouse aficionados—original mantels, oak wainscoting, wedding-cake moldings, an unusual right-angle wooden staircase.
Annual taxes (2011): $6,166.
Agents: Dina Sussilleaux and Michael Sussilleaux, the Corcoran Group.
Price: $2.395 Million

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Broker
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