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58 Pierrepoint, #3, Brooklyn Heights

Though this 1,900-square-foot, two-and-a-half-bedroom—it can be converted to a three-bedroom—is part of a townhouse, it's one of just three units in the co-op. It comes with a laundry room, a fireplace in the master bedroom, and a private terrace.
Asking price: $1,500,000
Monthly maintenance: $1,750
Agent: Philip Henn, the Corcoran Group

Photo: Courtesy of the Broker

970 Kent Avenue, #PH5, Clinton Hill

This 1,212-square-feet, two-bedroom, two-and-a-half-bath sits atop a former factory. The layout works for buyers who want plenty of entertaining space (the top level) but also privacy (the lower level, where the bedrooms and two of the bathrooms are). The smaller terrace off the bedrooms has views of downtown Brooklyn and Manhattan and both the Verrazano and Brooklyn bridges, says listing broker Shana Allen.
Asking price: $630,000
Monthly common charges and taxes: $680
Agent: Shana Allen, Bond New York

Photo: Courtesy of the Broker

205 East 16th Street, #4F

Twenty-foot-high ceilings add drama to this 1,120-square-foot, two-bedroom, two-bath's living room. An ornate spiral staircase leads to a master suite and an office. The apartment overlooks historic St. George's Parish Church.
Asking price: $1,395,000
Monthly common charges and taxes: $1,021
Agent: Nick Gavin, the Corcoran Group

Photo: Courtesy of the Broker

39 East 12th Street, #201

A one-bedroom, one-bath in a full-service co-op that once served as a printing factory. There's plenty of storage space—100 square feet—on the second floor, which also houses the sleeping loft.
Asking price: $689,000
Monthly maintenance: $1,149
Agents: Jane Greenberg and David Costelloe, Halstead Property

Photo: Courtesy of the Broker

11 Garden Place, #1, Brooklyn Heights

Given its generous width—25 feet—and access to a private landscaped terrace, plus the fact that it runs through two entire floors, it's no wonder this three-bedroom, two-and-a-half-bath feels very much like a house. The garden-level foyer is so wide that it once served as a library, says listing broker Nancy Giddins.
Asking price: $2,575,000
Monthly maintenance: $2,069
Agent: Nancy Giddins, Brown Harris Stevens

Photo: Courtesy of the Brokers

316 West 83rd Street, #1B

This two-bedroom, one-and-a-half-bath comes with a decorative fireplace and a 500-square-foot patio for outdoor entertaining.
Asking price: $675,000
Monthly maintenance: $1,728
Agent: Shari Cohen, Citi-Habitats

Photo: Courtesy of the Broker

17 East 63rd Street, #1

The combination living-dining room of this two-bedroom, two-bath in a circa-1901 building rises 21 feet. It has a woodburning fireplace, double-height windows, and leads directly to a patio.
Asking price: $3,950,000
Monthly maintenance: $2,275
Agents: Louise Phillips Forbes, Jonathan D. Schulz, Richard Johnson and Jason Miller, Halstead Property

Photo: Courtesy of the Brokers

226 East 2nd Street, #1B

A greenhouse backs onto the garden of this duplex, which has a living room that reaches nearly 20 feet high. The bathroom was recently renovated, too.
Asking price: $995,000
Monthly maintenance: $864
Agents: Robert Rumsby and Jeff Brenner, Citi-Habitats

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers
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