New York Magazine
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68 Garden Street, Apartment B2F, Bushwick
The basics: A 927-square-foot two-bedroom, two-bath with private outdoor space off Bushwick Avenue.
The rules: Maximum income is $134,250 for one
person; $153,500 for two; $172,750 for three; minimum income is $90,000.
No subletting allowed.
Monthly common charges: $1,291.
Agent: Francisco Diaz, Aptsandlofts.com.
$189,000
Photo: Courtesy of the Broker
175 Rivington Street, No. 5E
The basics: Most everything’s been updated, including the walls and floors, in this
one-bedroom on the top floor of a now-green 1920s co-op.
The rules: Maximum income is $66,526 for one person; $76,050 for two. Parents can’t buy for children
but can contribute toward the down payment.
Monthly maintenance: $361.
Agents: Danielle Sevier and Evangelos Karras, Prudential Douglas Elliman.
$329,000
Photo: Courtesy of the Broker
172 Delancey Street, No. 6D
The basics: The previous owner, a cabinetmaker, customized this walk-up one-bedroom.
The rules: The income-cap formula is a doozy—maintenance plus utilities times six for one person or seven for two, then multiplied by 12, plus 6 percent of the previous purchase price. A 7 percent flip tax applies to sales within five years.
Monthly maintenance: $301.
Agents: Neal Young and Jeremy Bolger, Halstead Property.
$339,000
Photo: Courtesy of the Broker
311 East 3rd Street, No. 25
The basics: A renovated two-bedroom on the fifth floor of an East
Village walk-up converted in the nineties. It comes with its own
washer and dryer.
The rules: Maximum income is $94,566 for one
applicant; $108,075 for two. A 5 percent flip tax is in place.
Monthly maintenance: $325.
Agent: Georgine Paulin, Corcoran.
$399,00
Photo: Courtesy of the Broker
130 Lenox Avenue, No. 1006
The basics: This three-bedroom co-op has more amenities than most—a doorman, garage, courtyard, community-supported-agriculture drop-off, and recycling program.
The rules: You have to make at least $79,000, and until July, there is no maximum income, but there is a flip tax of 3 percent and a $15,000 resale-profit fee.
Monthly maintenance: $2,282.
Agent: DeAnna D. Rieber, Halstead Property.
$399,00
Photo: Courtesy of the Broker
300 West 135th Street, No. 4b
The basics: A two-bedroom, two-bath in a recently constructed condo with access to a terrace, fitness center, and garden.
The rules: As income restrictions go, this one’s generous: $198,000 for the household. But 50 percent of any profit from a sale within fifteen years goes to the Housing Development Corporation.
Monthly common charges and taxes: $703.
Agent: Robert Williams, Warburg Realty.
$489,000
Photo: Courtesy of the Broker
305 West 55th Street, #4A
What: A two-bedroom, one-bath fourth-floor walkup duplex with a working, woodburning fireplace, updated bath and a private roof deck.
Commute time: Eight minutes to Fordham University and 10 minutes to the Academy for Music and Dramatic Arts
Asking price: $635,000
Monthly
Maintenance: $947.30
Agents: Vanessa Van Der Linde Brown and Angela Ward, City Connections Realty
Photo: Courtesy of the Brokers
115 East 9th Street, #5H
What: This light, bright corner apartment has two bedrooms and two baths; the fully amenitized doorman co-op has a children's room, garage and private storage.
Campus commute: Five minutes to Cooper Union and 10 minutes to some of New York University's buildings.
Asking price: $1,325,000
Monthly
Maintenance: $1,434
Agents: Richard Balzano and Barry Brown, Prudential Douglas Elliman
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Courtesy of the Brokers
Slide Header
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.