Coming to Your Kitchen Table

Photo: Jeremy Liebman

The First Attempt
In 1999, Pandolfi is teaching ceramics at the Millbrook School. One night at the dining hall, a colleague mentions that her “sister’s roommate” works in the corporate office of Crate & Barrel. The roommate gives him the name of the tabletop buyer, and he nervously makes the call. She listens. He sends over his latest: “Chinese lantern” mugs with accordion-like grooves. No response.

Craigslist to the Rescue
Five years later, he’s making $800 a month working part-time at Bodanna, a nonprofit on East 7th Street for aspiring potters. He calls the Crate & Barrel buyer again. Still no bite, but she doesn’t say no. He sees a Craigslist posting for his “perfect job.” Penn South, the co-op complex on Eighth Avenue, needs someone to run its ceramics studio and teach fiftysomething ladies who take pottery very seriously. Meanwhile, Crate & Barrel asks for samples of a Chinese lantern–style dinner plate.

Photo: Courtesy of Jono Pandolfi

The Big Break
A former bandmate gets a job managing Terrace 5, one of Danny Meyer’s restaurants at MoMA. Pandolfi offers to custom-design pieces—for free, even. He meets with the floral designer, comes up with a bud vase, and gets an order for 40, at $20 apiece. A “chocolate box” and funky vertical chopstick stands are next.

MoMA Calling 
The museum’s design store wants to sell the Terrace 5 forms. The chopstick holders ($45 for a set of four) are reordered three times (manufacturing cost: 25 cents per holder). He opens a studio in Long Island City. Rent in the shared space is $600 a month. He splurges on an L&L kiln for $2,500, buys a second one (used) for $150, and gets a third for free. The Crate & Barrel buyer says she’s taking his dinner plate to Thailand for sourcing.

Photo: Courtesy of Jono Pandolfi

Suddenly in Business
Café 2, another Meyer restaurant in the museum, commissions an oak charcuterie board with an olive bowl sunken into a corner; the Core Club orders butter dishes and “trio bowls” for its bar nuts; Clio in Soho picks up his one-of-a-kind horseshoe vases and teapots—his favorite object to produce. “It’s funny, I don’t really drink tea and I was actually afraid to make my first,” he says of the complex form, “but once I did, I got hooked.” Daniel Humm, the new chef at Eleven Madison Park, visits Pandolfi’s studio to discuss unconventional serving designs. Pandolfi makes tiny porcelain pillows.

Photo: Courtesy of Jono Pandolfi

And Finally …
Crate & Barrel calls. His line is being produced; it’s called Kona. His take: an $1,800 advance against a fraction of the production cost of each piece. (A mug costs $1.50 to make; there are twelve pieces total.) “Everyone is so flipped out,” he says. “My wife sent out a mass e-mail.”

TEAPOT ECONOMICS
Clay, glaze, electricity … . $3
Production … … … … . 1 hour
Wholesale price … … … $75

Coming to Your Kitchen Table