Terry Gilliam on His New Film (and Heath Ledger’s Last): ‘Lower Your Expectations!’
"Nietzsche was wrong. What doesn’t kill you does not make you stronger. It makes you really tired."
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"Nietzsche was wrong. What doesn’t kill you does not make you stronger. It makes you really tired."
"It was violent. It was scary. There was violence in that cheer."
"People knew about the war, of course, but there were no images of the wounded [in the media]."
Steven Spielberg liked it as much as he liked 'Star Wars.'
"Scott and T-Bone came out and saw us play and were like, 'Man, it'd be great to have you guys be the band in the bowling alley.'"
"They had these strippers, you know, and they were screaming at each other. They had problems with each other."
He caught up with a room full of reporters in a Soho apartment last night.
“It might have been a little awkward for Chuck, because we asked, ‘Can we do it?' And he said, ‘Well, how are you gonna do it?’ And we were like, ‘We just wanna know if we can do it.’”
“If they're making 'Gladiator 2,' and I walk in and they go, ‘butt-dialer!’, it's gonna be really hard to be, you know, Euophonius the Master of the Ring.”
“I looked [Tom Ford] up on IMDb, and saw he'd only been ‘Himself’ in Zoolander so I was like, ‘Okay, that's odd.’”
"It was the first time I had that pressure: If I don't pull it off, the whole movie will suck."
"It’s aimed at moms, but kids can play it too. I can’t wait for my kids to get home from school today so they can play, now that our Internet is working again."
The actor talks about juggling Broadway and television, experiencing 'Gossip Girl' fame, and playing an entitled creep.
"It's not a film that everyone likes, but I don’t know what that film is ... There’s no such thing as perfection."
Reding: "In a way, it's not as much about meth as it was about small-town America. Meth was the lens."
The lead singer talks about his Bible-inspired new album, 'The Life of the World to Come,' and how he feels when fans name their children after his lyrics.
The artist talks about covering a song of her father's and working with Mark Ronson.
‘[Phil Lesh] liked it, and the band didn't ask for a lot of money.’
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