Critics Frustrated by Armani Privé, Wowed by Gaultier’s Winehouse-Inspired Homage
"I had the feeling I was looking at children, decorative, doll-like children, and not real women," writes Horyn.
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"I had the feeling I was looking at children, decorative, doll-like children, and not real women," writes Horyn.
Giorgio Armani and Gucci also received high praise, while Valentino and Prada got mixed reviews.
Karl Lagerfeld's unabashed opulence "left her cold."
The same one that Virginie Mouzat called "a nightmare."
"It was Fifties glamour unsullied by bad behaviour — or fun, in fact."
"The entire collection oozed Versace sex appeal and the glossiest, poutiest glamour imaginable."
Virginie Mouzat likened the show to "un cauchemar" — a nightmare.
"You can’t miss the S&M connotations, but there was nothing dirty there, just wink-wink fun and extreme craftsmanship."
Meanwhile, everyone agrees that Marchesa's show was lovely.
"There was a bit too much fairy tale in these clothes to picture them stepping off the runway and into the real world."
"His spring collection was a hybrid of glitzy brights befitting a beauty pageant, mussed up with the twang of a cowgirl’s swagger."
"It looked as if he had tossed everything into a food processor and pressed pulse one too many times."
"An off-the-shoulder, cobalt blue cocktail dress wrapped in twisted tulle elicited actual sighs of desire from the front row."
"I mean, what is that? Like, anti-intellectualism?"
"You wonder what young designers feel about the times. Does anything bug them enough to express it with some energy and conviction? Or are they afraid to offend someone?"
Plus: "Tables for Two" hits the Dutch, Sietsema enjoys Neely's Barbecue Parlor, and more of this week's reviews.
Critics agree that using Bill Gaytten as an interim designer doesn't work for couture.
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