The Missing Person’s Michael Shannon on Noir, 9/11, and Working With Herzog
“[Herzog] always seemed to be pretty pleased with what I was doing, so I didn’t endure any abuse or rants or anything.”
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“[Herzog] always seemed to be pretty pleased with what I was doing, so I didn’t endure any abuse or rants or anything.”
The director speaks about his new film, and why it’s easier to make a movie in China than in Hollywood.
"I have a very high estrogen count."
His old show, 'Andy Barker P.I.,' is out on DVD this week.
On Palin's new book: "I can only imagine how many typos will make it through."
At last night's premiere of 'The Road' we spoke to him about sibling rivalry with his brother Harvey and their attempts to convince Wes Craven to direct 'Scream 4.'
Lahti takes over the role of perfectionist art historian and activist Veronica: "We’re really rehearsing it like a drama. There’s nothing funny."
"It won't be a so-called David Lynch film, really ... "
"Ten flashing lights are a nuisance, but 500 are fantastic."
"Oren created this incredible environment on set. No scenes were rehearsed in the picture."
"Oh, he was terrific! That dog was a great actor!"
"Christmas carols are what I related to a lot more than any religious music that the Methodists were pushing."
"You're not going to get creepy now, are you?"
"You know what I mean? Someone doesn't karate chop something when they're excited."
The up-and-coming playwright speaks about her new work, 'What Once We Felt,' which opened yesterday at Lincoln Center.
"I don't know how we shoot that, because you can't have a stuntman for a 12-year-old."
"We felt like we had a lot better stuff than ['No Boundaries'] to go on the album."
"I've got other ideas for my participation in this soap opera beyond just being in this soap opera."
"I just can't imagine approaching filmmaking trying to second-guess what people are going to buy in merchandise. You know where that leads."
The conclusion I've since come to is that no one really knows anything.
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