2012’s John Cusack on Finding the Human Story in a Roland Emmerich Script
"I don't know how we shoot that, because you can't have a stuntman for a 12-year-old."
Skip to content, or skip to search.
Skip to content, or skip to search.
"I don't know how we shoot that, because you can't have a stuntman for a 12-year-old."
"We felt like we had a lot better stuff than ['No Boundaries'] to go on the album."
"I've got other ideas for my participation in this soap opera beyond just being in this soap opera."
"I just can't imagine approaching filmmaking trying to second-guess what people are going to buy in merchandise. You know where that leads."
The conclusion I've since come to is that no one really knows anything.
"Sometimes I feel like what's asked of me is just like a little sliver of what I can do."
"I hit a lot of buttons ... every demo, every ethnicity. There's a gang member sitting next to a reverend sitting next to a kid that ran away from home."
"As terrible as I find his music and as reprehensible as I find him as a person, I would definitely have him on [the single]."
"If I can be vain about it, it's a real treat to play a lovely, enticing, sexual woman."
"Leo certainly ... Naturally I really like working with him."
The former teen heartthrob discusses the new show, and why he's not sick of 'Party of Five.'
"Most of the novelists I love are dead, and Jonathan Ames is alive."
The Pulitzer Prize winner on creating the music for a movie all about music.
The old-school metal band talks about their new album and those rumors of retirement.
"What can you say about Charlie Sheen?"
The Danish director discusses her new movie, working on a small budget, and the dangers of flawed Jewish characters.
"That's a tough question you just threw up in my face."
"It’s not like it used to be, now they’re weird sizes and strange shapes."
"You have to understand how high we were."
The Brooklyn-based actress talks about her new movie.