The Critics Hail Burberry’s Return; Ogle Twenty8Twelve’s ‘Morning-After Chic’
"The message was Burberry gone short, draped, deluxe, and glamorous, and aimed at the very young."
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"The message was Burberry gone short, draped, deluxe, and glamorous, and aimed at the very young."
"Here was an instant trend that will make gingham fashionable for the first time since the era of Brigitte Bardot."
"Is this as good as Mr. Kors can do?"
"It's not often that one is moved to tears by a runway show."
"The collection was theatrical, absurdist, yet frequently very beautiful."
Plus, British 'Vogue' takes issue with DKNY: "Boyfriend jackets? Neon bike shorts? Chain draped leather bags? Wait a minute, is this DKNY or Alexander Wang?"
"Those very profitable accessories were in full view, from backless socks hoisted up with under-the-knee garters to boy-cut undies and matching jogging bras."
"No wonder the audience that featured socialite Tinsely Mortimer and former "It" girl Nicky Hilton gave the collection a decidedly tepid applause."
"Perhaps it was budget (or maybe just plain old perversity) that this time around dictated a denim bustier on a male model."
The critics react to Milan: "The message seemed so eighties that it hurt."
We love it when critics begrudgingly admit commercial appeal trumps artistic triumph.
Critics are more or less pleased with the latest offerings.
Interesting collections make for interesting critical response.
Skintight sex appeal, futuristic frocks, and stunning separates earn praise.
A trio of mostly successful shows.
Our roundup of the critical feedback.
As the last of the shows made their way through the tents, the critics had their final say.
Our compilation of the critics' take on recent shows.
So many critics, even more shows, and so hard to digest them all. We'll take care of it for you.
The critics are spitting out their reviews faster than you can read them; that's where we come in.
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