Jerry Saltz on the Armory’s (Very, Very Dirty) Paul McCarthy Show
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All Blog Posts Tagged:
‘jerry saltz’
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Saltz on the Met's New European Paintings Galleries
The new installation presents us with a much more coherent, legible vision of one of the great achievements of world civilization.
Jerry Saltz on Jeff Koons’s Concurrent Shows
New Paintings and Sculpture at the Gagosian Gallery and Gazing Ball at David Zwirner.
Jerry Saltz and Justin Davidson on the Restoration of Donald Judd’s Loft
Our art and architecture critics walked through it together.
Saltz on the Met’s Photography and the American Civil War
A bracing look at the first war that was conducted in front of the camera's cold eye.
Jerry Saltz on His First Time in High Heels
"Sweat poured off my forehead as my body readjusted into an entirely new carriage. My ass seemed to turn into a shelf-thing."
Saltz on the Met’s ‘Impressionism, Fashion, and Modernity’
We see a few painters blowing up every convention there was.
Saltz on the Death of the Gallery Show
Between online sales and art fairs, fewer and fewer people are showing up to see art in its natural habitat.
Saltz on Tilda Swinton in a Box and How Living Art Has Become MoMA’s Crystal Meth
Blame Marina Abramovic.
Saltz on Piero della Francesca at the Frick
Take the day off and park yourself in front of his Virgin and Child.
Jerry Saltz on Richard Artschwager, 1923-2013
"An artist … preternaturally acute and copacetic, as oddly visionary and just odd."
Jerry Saltz on the Outsider Art Fair — and Why There’s No Such Thing As ‘Outsider’ Art
Whatever "outsider" means.
Saltz: The Met’s Matisse Exhibit Is Intoxicating, Possibly Dangerous
What makes this show so ravishing is, improbably, that it’s arranged like an art-history-class slideshow time line.
Jerry Saltz on Kate Middleton’s Terrible Official Portrait
She described it as "amazing." So much for her art-history background.
Saltz: MoMA’s Inventing Abstraction Is Illuminating—Although It Shines That Light Mighty Selectively
Insiders will go gaga here. But I wonder whether larger audiences will grasp the way this kind of art thrust itself to the fore in the West.
Critics' Roundtable: What Was the Cultural Event of 2012?
And four other equally pertinent questions.
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