Few artists have brought play, presence, magnitude, hostility, and pleasure into such close proximity.
It's a spinoff of SuChin Pak's Hester Street Fair.
"It's not beyond Gioni to do a bad show, but I'm hopeful that he won't for several reasons."
Plus, Leighton Meester says her makeup bag is nearly empty — oh no!
A festival of lights.
Plus, waxing treatments for nose hair.
Jerry Saltz answers your questions about bad art, good biographies, and the Smithsonian controversy.
Museums that work, museums that don't.
The fourth location of the City Bakery spinoff boasts communal tables and two-tops.
The ribbon bracelets in Rivane Neuenschwander's New Museum show aren't just free, they're mythical.
Also: an answer to Richard Flood's broadside against the Internet and Jerry Saltz's Facebook page.
And a $100,000 prize.
All is forgiven — apparently.
At a certain point, the hatred seems unrelated to the offense.
I sorely want to defend the New Museum. Unfortunately, the institution may have outsmarted itself.
The work, a motion-activated replica of a human tongue called 'Noisette,' is intended to result in a "mischievous slapstick routine."
For all her influence, this, at 75, is Iannone’s first solo show in an American museum.
The exhibit — 38 pieces of which we’ve included in this slideshow — is part documentary, part high drama.