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Princess Diana

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By Tim Murphy

Ask Not for Whom the Bell Tolls. It Tolls for Tina Brown.

Old Tina Brown
Late last week, we received a very nice invitation to a luncheon sponsored by the Magazine Publisher's Association and the American Society of Magazine Editors. It was their annual lifetime achievement awards, and guess who is being honored? Tina Brown. Apparently the former editor of Tatler, The New Yorker, Vanity Fair, and the ill-fated Talk is at that point in her career when the final retrospective is in order. You know, the point in her career that comes at the end. We feel a little bad for Tina. Getting a lifetime achievement award when you are 54 is a little bit like getting the "Most Improved GPA" certificate at college graduation or a magazine cover with the tagline "Sexy at ANY Age": It's an honor and an insult at once. Surely, we thought, Tina must be up to something. She's a legend! For example, there's that HBO development deal that we heard about but HBO exec Sheila Nevins apparently didn't. And after finishing her book The Diana Chronicles in late 2006, she went on to write… Um… Well, we're not sure, exactly. An insider tells us that she's shopping around two or three new projects. But we haven't heard about them. Does anybody know what Tina's been up to? Or should we start assembling a clip reel for her memorial service award-ceremony montage right now? We'll set it to the tune of "Candle in the Wind." Related: HBO's Sheila Nevins Is Confused by Tina Brown, Bored by Hillary

Tina Brown Does Not Want Her Daughter to Be Like Di

Tina Brown does not want her 16-year-old daughter, Izzy, marrying at 19, the tender age of Diana Spencer when she wed Prince Charles in 1981. At the Strand Bookstore last night, before a good-size audience of slightly weird, very white, middle-aged Anglophiles, Brown, 53, chatted with former New York Times London bureau chief Warren Hoge about The Diana Chronicles, her account of the late princess’ life that’s currently No. 1 on the Times nonfiction best-seller list. Looking typically sleek in a black dress and heels before several stacks of the fat book, Brown was on from the get-go, discoursing nearly nonstop in perfect magazine prose — this ain't the first stop on Tina's book tour — about Diana’s role as “a prism of British social revolution” and her death as “a festival of national mourning.” In the first few minutes alone, she managed to use nearly every hot buzzword of the past year or so, calling the young Charles a “toxic bachelor” and Diana a Fleet Street dream girl who could “move product.”