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Misogyny Is Boring As Hell

Carmen Maria Machado writes fantastical tales about the banal horrors of sexism. Lately, it’s her story about Junot Díaz that’s getting attention.

By Lila Shapiro

America’s Top Doc

The Good Doctor star is now ABC’s No. 1 star, and he comes with zero negative side effects.

By Bobby Doherty and Carl Swanson

What Shawn Mendes Has Gone Through

The teen-pop megastar reveals a dark — or at least darker — side on his make-or-break third album.

By Dan Hyman and Ryan Pfluger

The Closet, Revisited

In the Broadway revival of The Boys in the Band, he leads an all-star cast of openly gay actors back to the days when being out was career suicide.

By Amy Larocca and Tania Franco Klein

Out of Exile

A quarter century after her career-making album, she’s still writing songs first and foremost for herself.

By Radka Leitmeritz and Emily Gould

Out of Exile

A quarter century after her career-making album, she’s still writing songs first and foremost for herself.

By Radka Leitmeritz and Emily Gould

The Comeback Kid

For the first time in years, Shiri Appleby is the star of her own show. But she’s working harder than ever to be behind the camera.

By Maria Elena Fernandez and Benedict Evans

Lots of Puking, But Empowered Puking

The Pitch Perfect writer and Girlboss showrunner sees her directorial debut, the teen sex comedy Blockers, as a feminist project of a certain stripe.

By Allison P. Davis

Where’s the Train Wreck?

The Recovering is a 534-page palimpsest of Jamison’s battle with alcoholism that doesn’t adhere to the typical recovery narrative structure.

By Ruth Shalit Barrett