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Enjoy!By The Cut
Enjoy!By The Cut
The Aussies have left the building.By Véronique Hyland
With Vanessa Traina on board.By Charlotte Cowles
Years after the original Sex & the City denim craze, an interview with Sass & Bide as they plan their U.S. store.By Hattie Crisell
Get up close to some freaky sunglasses.By Veronica Misako Gledhill
For a week, anyway.By Hilary Moss
At the age of 71, the icon made an exclusive runway appearance, closing the Giles show.By James Lim
Including Paul Smith, Twenty8Twelve, and House of Holland.By Charlotte Cowles
No ruffles, tiers, or paisley here.By Caitlin Petreycik
Don't judge a top by its croppiness — these shirts flatter a variety of body types.By Diana Tsui and Ashlea Halpern
Bold brows, slick hair, red lips, and more.By Aja Mangum and Sharon Clott
London's runways were a mix of the past, present, and future faces of modeling.By James Lim
London's runways were as exciting and diverse as the collections they show.By James Lim
We're starting to get jealous of that city.By Amy Odell
The label's business chief, Sarah-Jane Clarke, has to take care of her new baby.By Amy Odell
So now we all know exactly what she wore in the first episode. Joy!By Amy Odell
Of the three Topshop's denim capsule collections, only two are hitting the Broadway store in October. Find out which ones.
Sass & Bide seated The Cut in Section C, Row 3 for their 7 p.m. show in the tents. Which really shouldn't matter much to you, but we make note of it because every seat in the first three rows of Section C were reserved for the show's sponsor: Make Me a Supermodel. That's a total of 48 seats. For Make Me a Supermodel.
Designers clearly had Willy Wonka & the Chocolate Factory on demand this season: Oompa-Loompa-inspired dresses loads of volume at the hip and nipped in at the legs are prevalent on the runway.
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