Since half of creative New York has moved down to Miami this week for Art Basel, we sent reporter Alexandra Peers down with them to peek at the art, beauty, and elitism on the beach. She's been filing reports to New York's Vulture blog, but she sent us this dispatch for our very own.
The e-mail buzzes on my BlackBerry: "We would love to have you come by to pick up something — for the Miami dinner celebrating the Emilio Pucci house of design." What? Sorry, fashionistas, snobby art-worlders don't borrow clothes. My outrage is first personal — has someone dished my Bloomie's little black dress? — then, political. It sounds Fascist.
So this auction season has finally limped to a close, with lackluster results from the city's third auction house. The Times reports that the offerings of Phillips de Pury, whose contemporary sale included small works by big-name artists and a smattering of works by hipper, younger artists, "seemed like leftovers." Sotheby's and Christie's sold like gangbusters this season, but Phillips (perhaps owing to the timing of the sale or the uncomfortable location, surmises the Times), didn't seem to have much steam. Only a smattering of dealers stuck around through the end of the sale, though the pieces that did best were the ones that were selling for well under $1 million. Which is bad news for Phillips but could be great news for none other than Brandon Davis. With Phillips focusing its energies on their London office right now, some of the air might be going out of the lower end of the contemporary market. Upon hearing that Brandon Davis wanted to come to the city to become an art dealer to the young and overbudgeted, one auction-house source scoffed to us, "I can't wait to see Gagosian eat him for breakfast." But who's to say that Davis isn't coming at exactly the right time? Is this face going to be the new icon of the day sale? Is this what the future of new contemporary looks like?
We want to know so we can prepare. We just weren't ready for the face of young art to be so, you know, shiny.
Fall Art Auctions Limp to Finish on Mixed Night at Phillips [NYT]