Theater Review: Natasha, Pierre, and the Great Ironic Detachment of 2012
A musical based on a section of War and Peace.
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‘stage dive’
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It's a weak production, too. And yet …
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It ... may hit you like a punch to the heart.
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Douglas Carter Beane has written Nathan Lane his best new role in years.
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Somehow, a goodly dose of Roald Dahl’s puckish sourness makes it onstage.
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It’s never boring; it’s never shocking; you are likely to leave entirely entertained and satisfied.
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Too hilarious, and oddly loving, to shut down.
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