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Photogs Love Leary, and Other Pap Tales From the ‘Delirious’ Screening

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Like all non-Hamptons happenings this month, last night's screening of Delirious at the Tribeca Grand was pretty low on star power. But Tom DiCillo's comedy stars Steve Buscemi as a star-stalking paparazzo, and the phalanx of real-life photogs in attendance hammed it up with lots of elbow-angling and shouting when DiCillo, co-star Callie Thorne, and a few Culkin brothers showed. Thorne, who said she gets her paparazzi-handling tips from Parker Posey, confessed that Denis Leary regularly gets stalked by photogs on the set of Rescue Me, where she plays his love interest. "We're trying to shoot a scene that's very serious and dramatic," she said, and "all of the sudden out of the bushes a paparazzo jumps out. We all break and laugh, but Denis gets cranky. That's probably the most crazy I've seen people get — around Denis." (Who knew?)

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Hollywood Agent Exaggerates!

A former colleague of Hollywood superagent (and Ari Gold inspiration) Ari Emanuel says he intentionally threw tantrums when talking to Entourage producer Doug Ellin so they'd make it into the show's script. Donna Hogan plans to make over her appearance — plastic surgery and all — so that she looks just like sister Anna Nicole Smith. NBC's Campbell Brown may take Paula Zahn's spot at CNN if she leaves. Jason Binn's wife is pregnant. Dina Lohan denies saying she ever called herself the "White Oprah," except that she did. Patti Smith is covering the Doors' "Soul Kitchen" because a sanitation truck that almost ran her over was playing that song. Emma Thompson pissed off Will Smith when she pulled out a lit cigarette at the Waverly Inn. Fox News anchor Bill Hemmer is an investor in a lounge in Sag Harbor.

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They'll Always Have Paris

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Paris, je t'aime — a collection of eighteen micro-mini shorts set in, and in tribute to, the French metropolis of croissants, angst, and amour — premiered at, natch, the Paris Theater on 58th Street last night. The shorts were made by brand-name auteurs — the Coen Brothers, Alexander Payne, Alfonso Cuarón, and Wes Craven among them — and a slew of boldfacers came out to walk Yves Saint Laurent–sponsored black carpet. (Black, rather than red, is apparently plus chic.) Natalie Portman was there, channeling Audrey Hepburn again, plus Maggie Gyllenhaal, Elijah Wood, Emily Mortimer, Steve Buscemi, Gena Rowlands, and Ben Gazzara. What are these New Yorkers top memories of the City of Light? Tales of excessive drinking, bad hairdressers, and, bien sur, the Eiffel Tower await after the jump.

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The Highbrow Case for Atlantic Yards

For some time now, it's seemed that the richer, whiter parts of Brooklyn were opposed to Bruce Ratner's gargantuan Atlantic Yards project, while the poorer, minoritier parts were in favor. The development, including lots of market-rate housing, some below-market housing, and a future Brooklyn Nets stadium, has always attracted a weirdly disconnected array of reactions: Most blue-collar local residents welcomed it (more jobs, retail, etc.), while highbrow liberals — looking out for the people! — were aghast. (Entitled NIMBYism? Wishful suckerism? Who knows.) Was it possible, then, to be a pro-Yards guilty intellectual? Yes! Acceptance is just another twist of pretzel logic away, as demonstrated by the contrarian post-ironists at n+1. The stadium, writes Jonathan Liu, is a great idea precisely because it's all wrong for the borough. It's our ossified idea of what's right for the borough (brownstones, more brownstones) that's the problem, he says. Or something. Whatever he's saying, it seems Atlantic Yards has — finally! — reached the "Backlash to the Backlash" point on our Undulating Curve. A Sporting Chance [n+1] Mr. Ratner's Neighborhood [New York Magazine]

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