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"It’s exhausting. Which is not to say it’s unworthwhile."
"When The Master Builder becomes an episode of Gilly, you know something’s wrong."
A musical based on a section of War and Peace.
It's a weak production, too. And yet …
"Nelson’s opening gambit — an appetizer of red herring — pays off spectacularly."
"Do we really care how hard it is to make a living as a Sherpa on the slopes of power?"
A disco musical shouldn't work. But ...
It ... may hit you like a punch to the heart.
Douglas Carter Beane has written Nathan Lane his best new role in years.
Somehow, a goodly dose of Roald Dahl’s puckish sourness makes it onstage.
It’s never boring; it’s never shocking; you are likely to leave entirely entertained and satisfied.
Too hilarious, and oddly loving, to shut down.