Seitz on Bates Motel: I Dismember Mama
A&E's new show is an origin story/prequel to Hitchcock's Psycho. And yet it isn't.
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A&E's new show is an origin story/prequel to Hitchcock's Psycho. And yet it isn't.
No great contemporary TV series is more flat-out enjoyable.
I’m trying to give the post–Dan Harmon Community a chance. Really I am.
Seriously, what the hell is happening in this show?
This cop drama prizes journalistic detail over verbal exposition and moldy cop-show tropes.
We promised a full review of House of Cards after last Friday’s preview, and here it is.
It now seems to be as much a show about Smash as a show about Bombshell.
Our critic samples two episodes, and reveals whether he thinks it's worth proceeding through all thirteen.
Rank this send-off up there with Cheers and The Mary Tyler Moore Show.
This new NBC show manages to be nutty and sleazy, but it's still not special enough to stand out.
On FX's new KGB-in-America spy show.
It’s tempting to treat this show as one long, trashy, sick joke. But it's so much more.
Is the serial-killer genre played out?
Just a couple of pop culture juggernauts protecting their brands.
This new show is peculiar enough to stick with while its creators figure out what they're doing.
The CW's new show is an inept spinoff that dishonors its source.
Girls isn’t likable, and it doesn’t seem to lose any sleep over it.
For all the suspense and violence, Justified is a laid-back series in the spirit of its inspiration, Elmore Leonard.
The most frustrating thing about this show is that it’s more fun to pick apart than it is to watch.
The HBO comedy's second season is brilliantly nuanced.